Wanted: New Takes on Old Tales

THOSE WOMEN WANT YOUR PLAYS!

Call for short plays from Bay Area writers. Deadline: March 8, 2015

Those Women Productions seeks one-act plays from local San Francisco Bay Area writers for “In Plain Sight: Stories you never knew you never knew,” a collection of original short plays to be given a full professional production at the Metal Shop, an 80-seat theater in the Elmwood neighborhood in Berkeley. The show will open Labor Day weekend 2015 and will run for 7-9 performances. We are looking for scripts that fit our mission to bring hidden truths of gender and power to the stage. Plays should offer new takes on old tales, reimagining a story from world mythology and/or classic literature. We are particularly interested in scripts that bring marginalized characters and storylines to the center of the action. All plays must stand on their own and have the potential to appeal to a broad audience, including those not familiar with your source material.

• Length: 10 – 30 minutes
• Cast: no more than 5.
• Deadline for submissions: March 8, 2015
• Scripts may be produced or unproduced. If previously produced, include production history in the body of your email.
• Send us no more than two scripts.

To submit:
~ Email <ThoseWomenProductions@gmail.com> with a blind copy of your script(s) attached as Word or PDF documents. Author’s name should not appear anywhere on the script but each page of the script should include the title of your play. Number your pages please!
~Include the title(s) of your play(s), the author’s name and your full contact information in the body of your email, and please affirm that you are a San Francisco Bay Area resident and would be available to attend some rehearsals and one or more performances of your play if it is selected. Rehearsals will be scheduled evenings and weekends during August and early September in Berkeley and/or Oakland.
~Questions? Email: ThoseWomenProductions@gmail.com

Performance dates (tentative): September 4-20.
Selected scripts announced in mid-April. Stipend.

Directors for In Plain Sight will include Norman P. Johnson, Christine Keating, and TWP cofounder Elizabeth Vega. In addition to 2-4 scripts selected through this open call, the production will include two short plays by TWP cofounder Carol Lashof.

Visit our website for more information about Those Women Productions: http://www.thosewomenproductions.com/

Thank you for sharing your work with us!

Suppose you are a Fury …

Suppose you are a Fury: You’ve dedicated your immortal life to the ancient, honorable principle of a slit throat for a slit throat. Now the gods want you to take pity on a mother-killer …  Come to the World Premiere of of my full-length comedy Just Deserts and decide what you would do under the circumstances.

Reservations: http://www.brownpapertickets.com/event/736340

Just Deserts retells the Greek myth of the first-ever trial by jury from the point of view of the avenging Furies.  As editor Lily Janiak says in the July/August issue of Theatre Bay Area Magazine: “Lashof ingeniously channels what many treasure about Greek tragedy–its pitting of evenly matched foes in debates that dig deeper and deeper as combatants seem to be going in circles–while also skewering its misogyny.”

Here are the basics:

Where, When & Who
Those Women Productions
presents
JUST DESERTS
by Carol S Lashof
directed by Elizabeth Vega

Performances at the Metal Shop Theater, 2425 Stuart St. Berkeley, CA 94705 (entrance on Regent St., one block east of Telegraph Avenue)

Friday, Aug. 29, 8pm (Preview)
Saturday, Aug. 30, 8pm (Opening)
Sunday, Aug. 31, 2pm;  Friday, Sept. 5, 8pm; Saturday, Sept. 6, 8pm; Sunday, Sept. 7, 2pm

Suggested donation: $30 (Preview-$20). Reservations at http://www.brownpapertickets.com/event/736340

Featuring: Sofia Ahmad* (ALECTO); Rebecca Castelli* (MEGAERA); Louise Chegwidden* (TISIPHONE); and Davern Wright (ORESTES).
Wing Mistress: Juliette Capra; Fight Choreographer: Megan Messinger; Stage Manager: Bert van Aalsburg*

*Member Actors’ Equity Association-an Equity approved project

Those Women practice Radical Hospitality: Everyone is welcome, regardless of ability to pay.

FAQ’s:

  • Is that a misspelling in the title of your play? No. It’s “deserts” as in what is deserved, not “desserts” as in what you should eat first because life is short. (However, this kind of “desert” is pronounced the same way as the kind you should eat first.)
  • I don’t know much about mythology … Will I need to look up a bunch of stuff on wikipedia to understand your play? No!  No previous knowledge of Greek mythology or classical literature is needed to be thoroughly entertained by this funny and thought-provoking story.
  • What’s a “Wing Mistress”? She’s the person who is designing the bat-style wings for our awesomely fearsome Furies. Because they are scary women.
  • I’m a struggling artist: when you say “suggested” donation, do you mean it? We do!
  • I’m a starving student: do you really mean it? Yes, we really do!
  • How can you afford to let people come to your show without paying? We can afford to practice radical hospitality because of the generosity of our donors-past, present, and future. If you are already one of them, THANK YOU!
  • I’d like to help you keep making great theatre. How can I become a donor too? Thanks for asking! When you reserve your seats for the show at , you may designate any amount as the “price” of the ticket–the entire donation comes directly to Those Women Productions to sustain our work. If you are interested in becoming a member of our Producer’s Circle, email us at ThoseWomenProductions[at]gmail.com and we’ll tell you more. You may also contribute via cash or check (payable to “Those Women Productions”) at the door.
  • What’s The Metal Shop Theater? It is a 90-seat theater in the Elmwood neighborhood of Berkeley and the home of The Willard Middle School Metal Shop Players. Those Women have access to this comfortable, professionally-equipped theater thanks to the extraordinary kindness of Willard Drama teacher George Rose and the Willard community.
  • Who are Those Women? We are Berkeley-based playwright Carol S Lashof and Oakland-based director Elizabeth Vega. On International Women’s Day 2014, we created Those Women Productions to give the stage to hidden truths of gender and power and to the unheard voices of women. Just Deserts is our inaugural production.

Thanks! See you at The Metal Shop.

And in the meantime, join the conversation about justice, revenge, and blood in the bath water at: https://www.facebook.com/JustDesertsByThoseWomen

Ready to start a revolution?

Reservations now available: http://www.brownpapertickets.com/event/736340

Escape our shallow, unjust reality and sink your teeth into …

JUST DESERTS 

by Carol S Lashof

directed by Elizabeth Vega

a project of THOSE WOMEN PRODUCTIONS

Watch this space for an announcement of our cast, coming very soon.*

*An Equity Approved Project

Reservations now available for JUST DESERTS playing August 29-September 7 at the Metal Shop Theater in Berkeley, 2425 Stuart Street (at Willard Middle School, enter on Regent St).

Only six performances in Berkeley, so click on over to Brown Paper Tickets: http://www.brownpapertickets.com/event/736340 to reserve your seats.  The first ten people to reserve  for each performance will be guaranteed VIP seating.

Over the last week or so, director Elizabeth Vega and I have been immersed in auditions, callbacks, and very challenging casting decisions–challenging because there are so many remarkable actors in our community, many more than we can work with on our current project.  We were sincerely humbled by the talent in the room.

I hope to see you at the theater.  In the meantime, join the conversation about justice, empathy, revenge, and blood in the bathwater at:

https://www.facebook.com/JustDesertsByThoseWomen

 

THOSE WOMEN produce JUST DESERTS

THOSE WOMEN PRODUCTIONS  of Berkeley, California presents Just Deserts by Carol S. Lashof, directed by Elizabeth L. Vega, opening on Friday, August 29  2014 (preview) and running through  Sunday, September 7 2014 at The Metal Shop Theater at 2425 Stuart Street in Berkeley (entrance on Regent).  Performances at 8 PM on Fridays and Saturdays and 2 PM on Sundays.  Additional performances at St. Mary’s College of California on September 8 & 9 at 5 & 8 PM. 

This production is an Equity-approved project.

PLAYWRIGHT’S NOTES:  Why this story?  Why now?

In Just Deserts, I am seeking to remake the foundation myth of the western justice system. My play retells the ancient story of cultural transformation from the point of view of The Furies—immortal beings dedicated to the age-old principle of a slit throat for a slit throat.  In the climax to the traditional myth, the young Orestes, son of King Agamemnon and his wife Clytemnestra, stands accused of blood murder. His action is only the latest in a series of revenge killings–Clytemnestra killed Agamemnon to avenge his killing of their daughter Iphigenia, and now Orestes has killed his mother to avenge his father’s death.   Athena decides that the cycle of vengeance should end.  So she stages the first-ever trial-by-jury to determine Orestes’ guilt or innocence.  The god Apollo defends Orestes on the grounds that the father is a child’s only true parent, the mother merely a vessel. The jury of twelve is split, but Athena, the goddess of justice, casts the tie-breaking ballot in favor of innocence, explaining that because she was born fully armed from Zeus’ brow, she owes no allegiance to mothers.  Although the Furies resist the verdict at first, Athena bribes and bullies them into compliance, and they finally accept a new role as “The Eumenides,” benevolent guardians of hearth and home.

Since I first encountered the Oresteia (when teaching a required course on the “Great Books” to freshmen at Saint Mary’s College of California), I have been disturbed by how this myth denies the agency and relevance of the mother.  I continue to be disturbed by our culture’s denial of mothers as moral agents–even as full persons–while elevating maternity in the abstract to a mythological status. I am writing Just Deserts to discover an alternative vision of how a culture could transform from a retributive to a compassionate justice system. What might a system look like based on radical empathy?

Auditions for JUST DESERTS, June 29-30

A call from THOSE WOMEN PRODUCTIONS to Bay Area actors:

 

Auditions upcoming June 29-30 for the premiere of

JUST DESERTS

a new play by Carol S. Lashof

directed by Elizabeth L. Vega

The Furies are dedicated to the principle of a slit throat for a slit throat … until empathy gets in the way.

 

The details:

Roles available: 1M (18-30); 2F. All races & ethnicities encouraged. AEA & non AEA. Prep sides.

Performance dates: 8/29 (Preview), 8/30, 8/31, 9/5, 9/6, 9/7, 9/8, 9/9

Performance location  The Metal Shop Theater, Berkeley (8/29-9/7) and LeFevre Theater, Moraga (9/8-9/9)

Rehearsal dates  8/3-8/28 (All rehearsals in Central Berkeley, near BART)

Audition dates and times: June 29, 1-5 pm and June 30, 7-9 pm

Audition location:  The Flight Deck, 1540 Broadway, Oakland

Pay: $1225 (AEA) $875 (non-AEA) full run.

For further information or to request an audition appointment (send headshot and resume), email Elizabeth Vega ElizabethLVega@gmail.com.

 

 

 

 

November. Not my favorite month. Until now.

If you have come to this page looking for information or rights to perform Persephone Underground, The Minotaur, Options, or Clay–please visit  http://youthplays.com/

If you are looking for information or rights to Medusa’s Tale, Gap, Just Deserts, or any of my other plays, please email me directly: <clashof@gmail.com>

When I was growing up in Chicago, the lengthening darkness at this time of year brought to mind Emily Dickinson’s:

There’s a certain Slant of light,
Winter Afternoons –
That oppresses, like the Heft
Of Cathedral Tunes –

I was warned to be home by dark.  I can’t recall when the danger of sexual assault was specifically named, but the fear of rape hemmed me in throughout my adolescence, and my fear heightened as the days shortened.  So I did not like November.  But this November promises to be my favorite month of the year, because productions of my work are busting out all over:

  • In San Francisco, as part of the SF Olympians Festival Nov. 13, 8 pm at the Exit Theater:The Girl with Sparkling Eyes and A Goddess in her Grief (short plays about love in a time of human trafficking)  https://www.facebook.com/events/688412094520116/
  • In Washington, DC, presented by Tasty Monster Productions November 19, 7 pm at The Corner Store Arts Center: Just Deserts (full-length comedy about getting what you deserve, or not)  https://www.facebook.com/events/298054237003964/
  • At the University of Arizona and the University of Guam, student productions of Medusa’s Tale (one-act play about the rape and transformation of Medusa)
  • In Bisbee, Arizona as part of the Bisbee Community Chorus’ production “A Miner’s Life”: We Live in Mud, a song with words by Carol Lashof & music by James McCarthy, from 17 Days by James McCarthy http://www.jamesmccarthy.co.uk/17-days.html

Perhaps it is no coincidence that fear of darkness and monsters feature prominently in these pieces.  One is set in hell, another in a collapsed mine … Happy Halloween.

Sonnet inspired by the Copiapó mine accident, August 5, 2010
by Carol S. Lashof, December 2010

We live in mud, we breathe hot dirt, we cry
like babies when we think no one can hear
us crying.  We say we’re not afraid to die.
Aloud I say that help will come, but fear,
like dust, comes in with every breath, and I—
I am so afraid of losing you, my dear.
I never should have left the calm and bright
soft warmth of you.  What am I doing here,
so far from you and living without light,
two thousand feet below the earth, so near
to hell, so far from you.  Will you be all right?
We live in mud, we breathe hot dirt, we fear
to starve in the dark, far from the ones we love,
trapped here below while life goes on above.

Summer events: from felines to Furies

From felines to Furies, from the flatlands of Berkeley to the heights of Mount Olympus and the Adirondacks,  I’ve got a lot going on this summer theatrically speaking.  It’s all fun and affordable, so come out and enjoy!  I’ll try to be brief.  Follow the links for more information.  Thanks!
  • What I’m writing now:  two short plays for the fourth annual San Francisco Olympians Festival, collectively titled “Who’s Your Daddy?” or “When Briseis Met Chryseis.”  Twenty-nine other Bay Area playwrights are also in the process of writing their plays for this year’s festival on the theme of the Trojan War, and we are in the midst of waging a fundraising campaign to pay the rent on the theatre and a modest (well, tiny) stipend to the 100+ artists involved.  It’s a really, really good cause and we have less than two weeks to meet our goal, so please contribute what you can: $1, $5, $50 … it all helps. Thank you! Donate here: http://www.indiegogo.com/projects/san-francisco-olympians-festival-iv-trojan-requiem [The festival itself will take place in San Francisco November 6-23.  Don’t worry, I’ll remind you.]
  • The cats are back!  If you missed Women in Solodarity: Cat Ladies in April because EVERY SHOW WAS SOLD OUT, now is your (last) chance to enjoy this hilarious evening of monologues and solo performances on the theme of … yes, Cat Ladies. My contribution to the evening is a monologue called “The Metamorphosis” about a strange thing that happens to a teenage girl in the middle of her English class one Monday morning.  Two encore performances on June 10 & 11 in Central Berkeley.    Tickets here: http://www.brownpapertickets.com/event/390190
  • I will be participating in a 36-Hour Play Festival at the Live Oak Theatre in North Berkeley on Monday, June 24 to raise money for a women’s Safe House in San Francisco.  I can’t tell you what I’ll be writing about because I don’t know yet.  Here’s how it works:  on Sunday morning, the playwrights, six of us, meet our actors and director and are assigned a topic; we have until Sunday at 9 pm to write a 10-minute play; the plays are rehearsed on Monday during the day, and then on Monday night, they are performed.  It’s kind of like reality TV–but better. Tickets here: http://www.brownpapertickets.com/event/389206
  • My newest full-length play, Just Deserts, a comedy about getting what you deserve–or not, runs from July 11 to September 1 at Forever Wild Theatre in upstate New York.  Performances will take place Thursdays-Sundays at Lake George Battlefield Park in the Adirondack mountains. Information (and pretty pictures of the mountains) here: http://foreverwildtheatre.org/
To summarize:
 
NOW until June 7: You can do it from anywhere: Support the San Francisco Olympians Festival IV: Trojan Requiem indiegogo campaign:
June 10-11, Berkeley: Women in Solodarity: Cat Ladies:

http://www.brownpapertickets.com/event/390190

June 24, Berkeley: UWAC’s “Empowering Women,” a 36-Hour Play Festival (benefit for San Francisco Safe House)
July 11-September 1, Lake George, New York, Just Deserts at Forever Wild Theatre Collective