Ready to start a revolution?

Reservations now available: http://www.brownpapertickets.com/event/736340

Escape our shallow, unjust reality and sink your teeth into …

JUST DESERTS 

by Carol S Lashof

directed by Elizabeth Vega

a project of THOSE WOMEN PRODUCTIONS

Watch this space for an announcement of our cast, coming very soon.*

*An Equity Approved Project

Reservations now available for JUST DESERTS playing August 29-September 7 at the Metal Shop Theater in Berkeley, 2425 Stuart Street (at Willard Middle School, enter on Regent St).

Only six performances in Berkeley, so click on over to Brown Paper Tickets: http://www.brownpapertickets.com/event/736340 to reserve your seats.  The first ten people to reserve  for each performance will be guaranteed VIP seating.

Over the last week or so, director Elizabeth Vega and I have been immersed in auditions, callbacks, and very challenging casting decisions–challenging because there are so many remarkable actors in our community, many more than we can work with on our current project.  We were sincerely humbled by the talent in the room.

I hope to see you at the theater.  In the meantime, join the conversation about justice, empathy, revenge, and blood in the bathwater at:

https://www.facebook.com/JustDesertsByThoseWomen

 

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THOSE WOMEN produce JUST DESERTS

THOSE WOMEN PRODUCTIONS  of Berkeley, California presents Just Deserts by Carol S. Lashof, directed by Elizabeth L. Vega, opening on Friday, August 29  2014 (preview) and running through  Sunday, September 7 2014 at The Metal Shop Theater at 2425 Stuart Street in Berkeley (entrance on Regent).  Performances at 8 PM on Fridays and Saturdays and 2 PM on Sundays.  Additional performances at St. Mary’s College of California on September 8 & 9 at 5 & 8 PM. 

This production is an Equity-approved project.

PLAYWRIGHT’S NOTES:  Why this story?  Why now?

In Just Deserts, I am seeking to remake the foundation myth of the western justice system. My play retells the ancient story of cultural transformation from the point of view of The Furies—immortal beings dedicated to the age-old principle of a slit throat for a slit throat.  In the climax to the traditional myth, the young Orestes, son of King Agamemnon and his wife Clytemnestra, stands accused of blood murder. His action is only the latest in a series of revenge killings–Clytemnestra killed Agamemnon to avenge his killing of their daughter Iphigenia, and now Orestes has killed his mother to avenge his father’s death.   Athena decides that the cycle of vengeance should end.  So she stages the first-ever trial-by-jury to determine Orestes’ guilt or innocence.  The god Apollo defends Orestes on the grounds that the father is a child’s only true parent, the mother merely a vessel. The jury of twelve is split, but Athena, the goddess of justice, casts the tie-breaking ballot in favor of innocence, explaining that because she was born fully armed from Zeus’ brow, she owes no allegiance to mothers.  Although the Furies resist the verdict at first, Athena bribes and bullies them into compliance, and they finally accept a new role as “The Eumenides,” benevolent guardians of hearth and home.

Since I first encountered the Oresteia (when teaching a required course on the “Great Books” to freshmen at Saint Mary’s College of California), I have been disturbed by how this myth denies the agency and relevance of the mother.  I continue to be disturbed by our culture’s denial of mothers as moral agents–even as full persons–while elevating maternity in the abstract to a mythological status. I am writing Just Deserts to discover an alternative vision of how a culture could transform from a retributive to a compassionate justice system. What might a system look like based on radical empathy?

Introducing THOSE WOMEN PRODUCTIONS

Director Elizabeth Vega and I have become a producing team: We are THOSE WOMEN PRODUCTIONS, and we make theatre for people who like questions more than answers.

Our first production will be Just Deserts, a comedy about justice and revenge, opening August 29 at the Metal Shop Theatre in Berkeley.  Here’s a little more about us:

MISSION

Those Women make theatre for people who love great stories and want to explore big questions.  Our plays are rooted in the stories that have made us who we are—the myths, tales and legends of western culture.  We approach these tales from new angles, giving the stage to hidden truths of gender and power and to the unheard voices of women.  We practice radical hospitality—everybody is welcome regardless of their ability to pay.  We only ask that our audiences come to the theatre curious; we promise to leave them more curious still.

 

HISTORY

When we were as yet too young for other sorts of debauchery to hold much appeal, we fell in love with great stories.  Mostly these were stories by Dead White Guys.  Homer and Chaucer, Shakespeare and Sophocles, myths and folklore of every variety, we loved them all.  To this day, we are subject to their power—they make our heads spin and our pulses race.  But we also recognize that in these classic tales, the voices of women are often silenced and their lives relegated to the margins.  That’s a sobering fact.  And we’d rather stay giddy with the joy of tales worth telling.  So, on International Women’s Day 2014 we formed THOSE WOMEN PRODUCTIONS to explore classic stories from new angles.

 

~ Carol S. Lashof & Elizabeth L. Vega

April 21, 2014

 

 

When a young man walks into hell seeking help to kill his mother, the order of the universe hangs in the balance.

Symmetry Theatre Company in Berkeley presents a stage reading of Just Deserts by Carol S. Lashof directed by Chloe Bronzan on Sunday, April 21 at 7 pm in the Berkeley City Club, 2315 Durant St. Berkeley CA. http://www.symmetrytheatre.com/

featuring: Louise Chegwidden,* Louel Senores, Megan Kilian Uttam,* and Valerie Weak*

 * Member AEA.  Equity approved project.

In Just Deserts, I am seeking to remake the foundation myth of the western justice system. My play retells the ancient story of cultural transformation from the point of view of The Furies—immortal beings dedicated to the age-old principle of a slit throat for a slit throat.  In the climax to the traditional myth, the young Orestes, son of King Agamemnon and his wife Clytemnestra, stands accused of blood murder. His action is only the latest in a series of revenge killings–he has killed his mother to avenge his father’s death–and Athena decides that the cycle of vengeance should end.  So she stages the first-ever trial-by-jury to determine Orestes’ guilt or innocence.  The god Apollo defends Orestes on the grounds that the father is a child’s only true parent, the mother merely a vessel. The jury of twelve is split, but Athena, the goddess of justice, casts the tie-breaking ballot in favor of innocence, explaining that because she was born fully armed from Zeus’ brow, she owes no allegiance to mothers.  Although the Furies resist the verdict at first, Athena bribes and bullies them into compliance, and they finally accept a new role as “The Eumenides,” benevolent guardians of hearth and home.

Since I first encountered the Oresteia (when teaching a required course on the “Great Books” to freshmen at Saint Mary’s College of California), I have been disturbed by how this myth denies the agency of the mother.  I continue to be disturbed by our culture’s denial of mothers as moral agents even while we elevate maternity in the abstract to a mythological status. I am writing Just Deserts to discover an alternative vision of how a culture could transform from a retributive to a compassionate justice system.  As I imagine it, the turning point comes when Orestes seeks the help of The Furies to kill his mother …